New Year, New Mix

Hello, friends.

I know it’s been months since I’ve written. No excuses. I just haven’t felt like writing much lately. Work is kicking my butt and the last thing I want to do at night is come home and fire up the old computer. My company – where I have been for nearly 18 years – got sold and the merging of the two new companies isn’t the smoothest transition ever. It’s been stressful. And my Mom had to have some more treatment – cancer sucks, by the way – so I made a quick trip home to Jersey to be with her for awhile. (She’s doing okay…strongest person I know, my Mom.)

Honestly, you guys, I’ve been pretty blue. And tired.

But it’s not all gloom and doom. I haven’t been sitting around doing nothing. I closed out 2015 with a big milestone…seeing more than 100 live shows in a year (101, to be precise). Kind of a big deal for me – I’ve never done it before, and I’ve been keeping track of all the shows I’ve gone to since 2004. It was such a big deal that one of my sweet friends made me a trophy. I’m really proud of myself…I got outside of my box and saw a LOT of new music this year. Artists and bands I didn’t know. I found new loves. Oh, and Christopher Jak is BACK. Played a show in Charlotte. And is making a new record. So there’s that.

And of course, the Panthers are making history here in Charlotte. So that’s super exciting, especially for those of us who have cheered them on through a couple of really tough seasons.

In between all of this, I made the Winter Mix. But the notes, which are usually my favorite part, just weren’t coming easy to me. I guess the whole not feeling like writing thing has been sort of infecting all of my life. So I’ve been sitting on it for awhile. But it’s a new year, and I’m trying to get re-inspired about writing.

So here it is. The Winter Mix. Winter’s definitely not my favorite season, but I like this mix a lot. Hope you will, too.

Grab the notes and the label here.

Lots of love,

Krissie

Cover Me: Happy Birthday, Boss, the 2015 Edition

I often joke and say I came out of the womb loving Bruce Springsteen, but it’s somewhat true. I don’t really remember when I started loving him…I just know that I always have. In every phase of my life since I was 10 years old, Bruce has been there. I’ve come a long way since playing The River on a tiny little tape recorder in the backyard with a guitar that I assembled out of a shoebox and rubber bands. His songs have changed meanings for me as I’ve grown up, gotten out of my slowly-dying little hometown, and chased my own dreams – they became personal anthems. His music has been the soundtrack to some of the very best moments (and some of the strangest!) moments of my life, and been a solace for me when everything was falling apart. Next to my Mom, his music has been the one unwavering constant in my life. It is everything.

It is now 12:03 PM on September 23rd, and officially Bruce’s 66th birthday. As has become a tradition, I honor him in some way…usually with a blog post, sometimes with birthday parties, and once with a cake adorned with his butt from the Born in the U.S.A. cover.

This year, I decided to go with something a little different. Because I still get googly-eyed when I go to a show and I hear an artist bust out with a Springsteen song, I thought it would be fun to pay tribute to my favorite singer and songwriter of all time with six of my favorite Bruce covers. It’s nearly impossible to pick just six – for crying out loud, I’m leaving out Brian Fallon’s cover of “Backstreets” and Matthew Mayfield’s version of “Dancing in the Dark” (which is downright spooky and wonderful). But I tried, anyway.

Happy birthday, Boss. Thanks for everything.

Ari Hest, “I’m On Fire”
Ari, quite simply, has one of the purest voices around. He’s been covering “I’m on Fire” for years, and he stays pretty true to the original. However, it’s Ari’s crystalline voice that makes this, without a doubt, my favorite Bruce cover by anyone, ever.  I picked this video because it is so bare bones, you can hear just how incredible he is without any amplification at all.

Matthew Ryan, “Something In the Night”
Darkness on the Edge of Town is probably my third favorite Springsteen record, behind Born to Run and Nebraska. It’s an incredibly bombastic record, and this song is about as close to a “power ballad” as Bruce gets. So when the Light of Day tribute album came out in 2003, I was mesmerized by a haunting version of the song that stripped it down to almost nothing. A few years later, I would go to a show at The Evening Muse and see this fellow, the incredibly wonderful Mr. Matthew Ryan, play a show with Mieka Pauley, and come to discover his music was just as fabulous in its own right. (Really, you should check him out.)

Tim Brantley, “Spirit In the Night”
I could tell two dozen stories about Tim Brantley and Bruce Springsteen. The first time I saw him, he wore this wool hat that was kind of slung back low on his head, and he looked so much like Bruce in the legendary Hammersmith-Odeon concert, and there was just all this Bruce in his voice…I think it might have sealed the deal for me falling in love with Tim Brantley on the spot. One night, a year or two later, he was playing a show here in Charlotte, and he walked in to the venue wearing skin tight black jeans, and a mechanic’s shirt, with his hair slicked back. I looked at him and said, “Well, aren’t you duded up for Saturday night,” a reference to this song. He grinned at me and said, “I think you’re the only girl I know who knows what that means.” From that point forward, he’d play this one for me whenever I came out to see him. I am a lucky gal.

Passenger, “The River”
In 1985, the “box set” came out…and it was a big deal at the time. Three tapes of live Bruce performances over the course of 10 years. I was 11, and I remember playing the cut of “The River” over and over again, because Bruce told this long story before it about his relationship with his dad, and I wanted to memorize it. So when Passenger released this cover last year, I lost my bloody mind. One of my favorite present day singers covering the ultimate singer. Yes, please.

Ben Harper, “My Father’s House”
If you’re a Springsteen fan, I don’t know how this couldn’t be on the list of best covers of a Springsteen song ever done. Ben Harper is just perfect in this absolutely gorgeous version of a very under-discussed, underrated Bruce song. Thanks, Ben, for raising its profile. (And seriously, how smoking hot is Ben in this video?)

The Hold Steady, “Atlantic City”
My favorite Bruce song of all time is “Jungleland,” followed closely by a dead tie between “Dancing in the Dark” and “Atlantic City.” Loads and loads of people have covered Atlantic City, but none ever nailed it for me until I heard The Hold Steady do it. It’s raspy, and filled with a modern-day desperation that matches the original. I love it.

A Cure for the End of Summer Blues: The 2015 Fall Mix

I don’t know about you guys, but even though we have the day off, Labor Day is always a big bummer for me. Not only do I have a case of the Sunday-night blues on Monday, also the unofficial end to summer… and we all know that I’m a summer girl. So, this year, I decided to make sure that I finished the Fall Mix in time to brighten up Labor Day. Because I can’t possibly the only one not looking forward to fall and time changes and cold weather. Right?

If you’re one of the folks that likes to read my ramblings about the songs or wants to burn everything to a CD and listen, you can pick up the liner notes and the label here (and perhaps a bonus track that wasn’t on Spotify).

Happy listening, friends. Hope you’ve had a tremendous three-day weekend.

Shake, Don’t Shatter

Quiet Hounds new record, Shake, Don't Shatter, is a conversation between musical brothers that you can't stop listening to.

Quiet Hounds new record, Shake, Don’t Shatter, is a conversation between musical brothers that I can’t stop listening to.

Every once in awhile, life throws you a huge curve ball. Yesterday, I found out that the company where I have worked for 17 years – the better part of my adult life – is being sold. The future, for right now, is up in the air. I’d be lying if I said I wasn’t scared and apprehensive about what comes next.

So it seems almost cosmically divined that one of my favorite bands, Quiet Hounds, released their new record, Shake, Don’t Shatter, on the day all of this craziness in my life went down. Hollywood couldn’t have scored a soundtrack better. Why? Because this album is a journey of self-discovery. A collection of songs about realizing what those unbreakable threads are that tether you to the people you love most. It’s a record about learning the strength you have to keep it together when everything around you seems to be crumbling.

There’s no doubt that this record is personal. For the first time in the band’s four-year history, the relatively mysterious quartet has given listeners a peek behind the literal masks. For a month leading up to the album release, they teased the story behind these songs. When life circumstances relocated the band’s lead singer to California in 2013, leaving behind the rest of the band in Atlanta, the future of Quiet Hounds was uncertain. But, they persevered, recording melodies and vocals and sending them back and forth via Dropbox to one another, finding creative solutions for problems that might stymie other bands (like recording vocals in a Toyota Prius when no other alternatives were available). In a series of emotional videos and blog posts, individual band members told their pieces of the story, sharing their thoughts behind the separation, intimate glimpses into their songwriting process, and more.

“These songs mean more to me than any others we’ve created. They’re about us. About struggling in the dirt and the mud. About being afraid, but never doubting. About what it means to be an artist, one that can’t live without the songs and the people that you create them with,” M Hound says in one of the videos, a simple yet intensely powerful statement about the deep bonds of friendship and camaraderie that develop in making music together.

That sentiment is at the very heart of this record. The separation, which continues today, resulted in six songs that, through metaphor and analogy, are a conversation among friends, a catalog of a musical brotherhood. In reading their preambles to the album, it’s clear that there’s an incredible amount of respect not just for the craft of making music, but for what each of them bring to the table in the band.

In my imagination, I see the band working out songs, sans lyrics, and sending these blank canvases of music across cyberspace, waiting for them to come back with vocal paint, messages from their friend 3,000 miles away. It’s an incredible frame for these gorgeous songs, but it should be noted that it is my singular interpretation of the album, and in no way do I know the actual meanings behind these songs.

“Gentlemen, believe we’ll do what we must, we hunt at all costs. So my friends, take heed, my hunter we trust, my hunter we trust. Don’t don’t don’t don’t stop stop stop stop stop, every time you fall, I pick you up.”

The chorus of the album’s opening track, “Hunter Gatherer,” is what lead singer E Hound called “a letter to my friends back home” to express his homesickness, expressed through the imagery of earlier times and the struggle for survival. The melancholy is palpable.  It is a call to be heard, even across the miles. It is from here that the album takes off, and we watch the Hounds struggle with their new reality.

We hear E Hound roaming the California countryside, looking at estates and sprawling hills, but mocking the overindulgence in the Beatles-esque “Mansions.” He beckons his friends to “come and join me here someday, in artificial structures we can play.”

On the first single, “Magnolia,” the Hounds are truly at their best, with an almost orchestral number that illustrates their musical prowess that oscillates between gauzy, questioning verses and an upbeat, percussion-punctuated choruses that answer back, before closing with a bevy of strings that will make you swoon.

By now, you’re fully immersed in the Hounds story, and if you aren’t prepared, “Tidal Wave” will knock you off your feet. There’s an underlying current (pun intended) of complete defiance from E Hound, wrapped in the picturesque scene of California surf, as he seems to address the very real possibility that the band might not weather the distance between them. “You keep on talking bout the end…/These things I can’t even pretend…”

And then we come to my two favorite tracks of the record. The dreamy “Bright Matter” is the source of the album name, a celestial-themed number full of buzzy melody and animated drumming that uses the stars as a metaphor for connection. Given the way that these songs came to fruition, zipping across the miles through routers and servers and wires, it’s a particularly apt one, and as E Hound sings, “Hey, bright matter, you keep me safe, you keep me moving along/Shake, don’t shatter,” you get the feeling that the foundation that this band is built on is unbreakable.

The closing track, “Still Phantoms,” is like “Weathervane,” the final track on this album’s predecessor, both a message of resilience and a portending of what’s yet to come. Although sparse, it is arguably the richest track on the album, showcasing each of the band members individual musicianship in a way none of the other tracks do. (Don’t think I missed the double entendre in some of those lyrics, either.) As the song reaches a crescendo, layered vocals overlap and bleed into one another, and the four individual voices of the band come together as one.

Selfishly, I want this record to be longer than six songs. I want it to go on forever. But even in its brevity, Shake, Don’t Shatter is perfect because of the connection it inspires between the listener and the artist. If we are lucky, we’ve all felt these things: loss, homesickness, strong bonds with our friends, a “never-give-in” moment where we know for certain what it is we want to do.  In the end, that is what it is all about, isn’t it? Music – and all art, for that matter – is a reflection of what it is to be human. It can be a celebration of our hopes and dreams, a conduit for our sadness and grief, a confessional for our fears and guilt, a way for us to express our love and gratitude for others, and a vehicle for finding our strength to hold on when the ground we know seems to be falling out from under us.

As for me… I’m more uncertain than I’ve been in a long time about my future. My job, my company, are so much a part of who I am that the idea of losing them makes me feel like I’m going to be left with a big black hole in my center. I don’t know what’s coming around the corner, and probably won’t for a little while. That’s really scary for me. So I’m going to need you all to remind me – and need to remind myself – that it’s okay to be lost for a little while, because I’m strong enough to find a new path back to solid ground.

Shake, don’t shatter.

More Quiet Hounds:  Web | Facebook | Twitter | Buy Shake, Don’t Shatter direct from the band

My Life in 15 Songs

I celebrated another birthday last week. It’s amazing how the older you get, the faster the time in between them seems to go. Thanks to my Mom, birthdays – whether mine or someone else’s – will always be a big deal for me. And as someone who thinks about things WAY too much, they are always a reflective time. So when Rolling Stone arrived in my mailbox last weekend and there was an article by James Taylor (yes, that James Taylor) called “My Life in 15 Songs,” it sparked an idea for a blog post. Could I put together a list of just 15 songs that define me and catalog my life so far? Worth a shot…

I will warn you, it isn’t pretty. In writing this, I took HUGE strolls down memory lane. It got emotional. I laughed. I had to stop writing because I was crying (there may or may not be an Easter Egg related to the tears). Some of the music isn’t good, but I guess that’s part of the point of doing this. I tried not to pick my favorite bands and favorite songs – often, I think those things are tied to the “big moments,” though. I instead tried to think about the catalyst songs. The ones that maybe kicked off those major moments. I’m still wondering if I picked all the right songs, but if I spend any more time on this, I’ll never publish it.  It’s taken me almost a week to write this post as it is.

I at first thought I’d link to videos and things, but in the end, I got tired. So I just made a Spotify playlist. Not everything is there, but for the ones that are missing, I put up some alternatives.

So here you go. The good. The bad. The ugly. The downright “I can’t believe I’m putting this on the internet.” My life in 15 songs. What are YOURS?

1974 – “If I Were A Carpenter”, The Four Tops
My Dad swears that this song was on the radio as he was driving my in-labor Mom to the hospital to have me. I was the first kid…I guess it’s the kind of thing you remember. Plus, my Dad and I are very much alike in the whole linking life events to music thing, so I’ll take him at his word. The Four Tops version was a remake of the song, which was written by Tim Hardin, and had already been made a hit by Bobby Darin. Either way, I suppose I need to start my 15 songs with this one

1984 – “Born in the U.S.A.”, Bruce Springsteen
I don’t honestly remember which Bruce Springsteen album or song was the one that started my lifelong obsession. Dad used to give me tapes all the time, probably extras he ordered from Columbia House, but I don’t remember what came first; it may have been Nebraska or Born to Run. But I do remember all of Born in the U.S.A., so I’m using the title track as the “defining” life moment. I remember sitting in my room at the ripe age of 10, with the tape liner notes spread out, studying the lyrics so I knew all the words. I remember watching MTV at DeAnn Kenelia’s house, wishing I was a yet-as-unknown Courtney Cox dancing in the dark with Bruce. I remember wishing I knew why Bobby Jean had left. Thirty years later, and I have so many countless memories all tied to this man’s music. To try to pick one song is impossible, so I have to pick one near the start.

1984 – “Sunglasses at Night,” Corey Hart
First song loves are as memorable as first crushes. I was nine, and Corey Hart was sooooo cute. I remember sitting on the front porch at 39 Park Drive with my brand new boom box, playing First Offense over and over again. And this song was probably my first exposure to understanding “stereo sound” – the way the opening intro bounced back and forth from speaker to speaker. I loved it. To this day, I still love Corey Hart. You can all shush.

1986 – “You Give Love a Bad Name,” Bon Jovi
Growing up in New Jersey in the early 80s was something. First Bruce went big time…and then Bon Jovi came along. We had two of the arguably biggest rock stars in the world from our state, and we were so proud. Along with Ricky Schroeder, Bon Jovi posters went up on my wall – Jon with his scarves and big hair. I have this clear memory of sitting in the back of the bus on the ride home from school, all of us a bunch of pre-teens who didn’t understand what the lyrics meant but knew every word, belting this song out at the top of our lungs.

1988 – “Pour Some Sugar on Me,” Def Leppard
In the summer of 1987, I turned 13, and we moved to a new house. It must have been a big deal for my Mom. She and Dad had split up eight years before, and she’d been renting a house ever since. This one was hers. For me, it meant switching school districts, and no 8th grade graduation. In my old school district, you graduated in eighth grade. In my new one, you graduated in seventh. It also meant starting high school, because in my new district, eighth grade was in the high school. It was a weird time for me. New friends, new school. A year or so earlier, I had started writing stories and poems, so I got a typewriter for my birthday that year, which led to lots of stories and poems. Then we got an assignment in science class to write a story about our first person experience with a natural disaster. So I wrote a story about an earthquake (the opening line references driving in a convertible blaring Bruce Springsteen, I shit you not). Mr. Benfer, my teacher, sent it to Mrs. Hendricks, my English teacher. She had me enter it into the county Arts Festival competition. I felt so sick to my stomach the night before, because you were going to get critiqued. When I got to the competition, everyone was older than me, and I was scared to death. The person doing the critique calling out a line that I had in the story about lights falling to the ground and popping and cracking, saying she never would have thought to write it that way, but it was great. I can’t remember the results of the fair, if I placed or not, but I know that I spent that next summer banging away on my typewriter, cranking out stories, because I knew in the pit of my stomach I wanted to be an author. And Def Leppard, and this song in particular, was the soundtrack. It’s funny what your brain remembers, isn’t it? (Note: on the Spotify playlist, this is the re-recorded version of this song. The original is not available on Spotify. Sad face.)

1993 – “I Wanna Be Sedated,” The Ramones
Yes, this song was released in 1978. But I’d never heard it until I got to college. If there’s one giant theme to my life at all, I’d probably say that it’s looking to belong. And there’s probably no place I’ve ever felt more like I belonged than Washington College. From the moment I first visited the campus, I knew in my heart it was home. And my freshman year, I got put in a triple room on a floor that was comprised mainly of girls from one sorority – Zeta Tau Alpha. Within a week of starting college, I wanted to be one of them. And six months later, I was. ZTA is one of the best decisions I have ever made, and the women that became my sisters were more than friends. They helped me figure out who I was, challenged me at every turn, and made me a better human being. This song was a Zeta song. Whenever it was on, you’d hear a chorus of “I wanna be a Zeta…” I still can’t hear it without wishing I could step out my door and walk down the hall into a sister’s room to talk, laugh, or cry.

1993 – “Mr. Jones”, Counting Crows
Crap, where do I even START? Fall of 1993, August and Everything After and Counting Crows came screaming into my life. I didn’t know it then, but this band would become pivotal in my musical journey. Then, “Mr. Jones” was a fun song that was a constant in my sophomore year. Over the next year, I came to know that record like the back of my hand, and my love affair with Adam Duritz’s writing began. It was three years later that Counting Crows became the soundtrack to the relationship that would change my life and move me to North Carolina.

1994 – “Let Her Cry, “Hootie and the Blowfish
It’s funny. By 20, I’d had a few boyfriends, but my first true love never became my boyfriend. We met during my senior year in high school (this is hotly contested – he swears he met me earlier), became great friends and were utterly inseparable, but didn’t talk after I went away to college. Early that summer between sophomore and junior year in college, Kimmy and I were out at a local diner late night, and driving through town on the way home, got behind his very distinctive vehicle. We honked and waved, pulled over in the middle of town at like 1 AM, and stood in the street talking for half an hour. That was the start of it. We were both big music lovers, and we used to make each other tapes all the time. He was dee-jaying at his college radio station and sometime that summer of 1994, handed me a tape and just said, “You’re going to love this band.” Cracked Rear View was the soundtrack to that summer and our friendship. Our feelings ran a lot deeper than friendship, but we never acted on it – until the night before I left to go back to college, when he kissed me and everything hinged on that one second. But we were both too chicken. He went back to college and back to his girlfriend, and that fall, there were many drunken phone calls as my heart broke. Thank GOD I had a single room that year – because I played “Let Her Cry” on repeat for months.  (How is this song NOT on Spotify? Jesus. You get a link to the video instead.)

1996 – “Crash Into Me,” Dave Matthews
My friends will find this one funny, because I’m not a Dave Matthews fan at all. But safe to say, there are probably a few moments in a gal’s life that she truly remembers forever. This song…was THAT one, if you know what I mean. And we’ll move on…

2001 – “Lost,” Wil Seabrook
If you ever want to know how I came to love independent music like I do, it all starts with Wil Seabrook. I’ve told this story more times than I can imagine on this blog over the years… A year and a half after moving to NC with my boyfriend to start our life together, we called it quits. I was devastated and spent the next year trying to figure out if I was going to move back home. I was living in a state where my only friends were the ones he and I had made together, and a handful of work friends. I missed my family. I was completely lost. And then driving back to Charlotte after a trip home, somewhere on I-85 outside of the city, I was listening to a local radio show and heard this song. Later that week, I found Wil’s CD at Best Buy, and soon after, I saw him and the band perform in-store at that very same Best Buy. I’d never met a band that I liked before, and the guys were so super nice. I spent the rest of that summer going to shows around Charlotte to see them. I started a fan website (really!). And my first foray into being super fan began.

2002 – “All Right,” U-Phonik
This is the song I’m dreading writing about. It actually STILL HURTS, so I’m going to keep it short. My dear friend Joe once told me that I had a serious case of L.S.S. That’s short for Lead Singer Syndrome. In this case, it’s very true. I fell in love hard with the lead singer of a local band – this was the first song by them that I remember hearing. I got hurt hard, through no one’s fault but my own. If there’s a reason I don’t date, this is it. The upside to the worst heartbreak of my life: I got really skinny. I miss that part of it. (Afraid this one isn’t on Spotify, either. However, you can hear it – and even download it! – on ReverbNation.)

2003 – “Haven’t Seen for Awhile,” Pat McGee
Anyone who even remotely knows me knows that The Rock Boat, my annual musical mecca cruise, is a huge part of my life. I have literally made some of my closest friends because of it (looking at you Christy, Michelle, Gail, Stacy, Libby), and have literally hundreds of other musical partners in crime thanks to this annual trip. But do you know how I came to be part of the crowd? So in the breakup sadness, I listened to a lot of music – my boyfriend and I had shared a mutual love of music, but on my own, I was finding new artists to love and carving my own musical path. One album was on continual repeat (so much so that my roommate at the time actually complained about how much I played it): Pat McGee’s “Shine.” I knew Pat’s music from college, but it wasn’t until 2001 or so that I got really into it. After the break up, I spent a lot of time hanging out with one of the few friends I’d made that my boyfriend and I didn’t share: Joe. Joe introduced me to some new friends he’d made, and the two of us became part of a group of friends that to this day I still affectionately refer to as “My Idiot Games Friends.” (Another story for another time, folks.) A bunch of the group had gone on this music cruise called The Rock Boat in 2002, and then were headed back for a second year. Pat McGee was playing on the cruise, and a few of the group convinced Joe and I to go. That cruise changed my life, obviously, and opened up my world to a whole lot of folks who I can’t imagine my life without today. Sort of ironically, the group that I went with that first year has never been back on another Boat.

2003 – Josh Queen, “Nantucket”
Neither Josh or I can clearly remember when it was we met. We both think it was in the fall of 2003… I have a vague recollection of it being when he was opening for Carbon Leaf, but that may have been the second time I saw him. I do remember this: it was at a no-longer-in-existence venue in uptown Charlotte called, somewhat appropriately, The Venue. And the very instant I heard him sing, I knew he was something special. This song is about a breakup, and I was two years post boyfriend, still reeling from it. It just resonated with me, I guess. After the show, I remember walking up to a guy I casually knew who seemed to know Josh and asking him all kinds of questions. Then I did something I still can’t believe I had the balls to do: when Craig told me he was acting as Josh’s manager, I told him I wanted to help him. I asked what he needed help with, and pretty much right there, he told me he needed help with the website. Mind you, I didn’t know SHIT at the time about running a website or an email list, but I learned fast. Somehow, Josh and Craig trusted me to do whatever I wanted. Run merch? Sure. Create and put together press kits? Why not! Over the next few years, the three of us became pretty good friends, but Josh and I especially. We’d get together to “talk business” and end up talking about music for hours on end. If Wil Seabrook made me a super fan, Josh Queen is the person that made me realize I could actually make a difference promoting music. I would have given my right and left arms for that kid to make it big. He got married a few years later and moved to Denver. We’re still in touch, and he’s still playing on occasion, so if you live in Denver, go see him. Request “Nantucket” for me. (This one’s not online. Anywhere. Except maybe here. JQ, let me know if you’re not okay with this.)

2004 – “Carousel,” Will Hoge
After my first Rock Boat, there was no doubt I was going back for a second year. The Rock Boat lineup for October 2004 included a guy named Will Hoge. I bought his CD and dug it. By this point, I’d started following a few local bands and artists. I’d first seen Matty and Temple Terrace over Halloween at Ri Ra a few years earlier and they became a music staple for me. But then TT broke up and Matty moved to Nashville. Matty’s most favorite artist in the world is a guy named Brian Vander Ark (BVA, for short), who some of you might know as the lead singer for a band called The Verve Pipe. So when BVA announced a show in Nashville opening for Will Hoge, it seemed like a good reason to road trip. Little did I know how popular Will was in his hometown. We got to the show and it was sold out. Somehow, a group of five of us charmed our way into the venue. We were, of course, there for BVA – the whole Will Hoge thing was just a bonus for me, since I was the only one in our group going on The Rock Boat. We watched, crammed behind a server station, as Will lit up the room, but everything changed when, at the end of the show, he got up on a table in the middle of the room and belted out this song a cappella. No mic. No instruments. Just him, singing. I’d never seen anything like it, and I instantly fell in love. The rest is history. 82 more shows later, he’s still wowing me.

2011 – “Hemlock,” Quiet Hounds
I will never, ever stop thanking my dear friend Allison for introducing me to what has been the most significant band to enter my life in the past five years. When I first heard “Hemlock,” I dug it, but was more intrigued by the mysteriousness behind the band. Then I kept playing their EP, and the more I listened, the more I fell in love. Then I saw them live, and my world got rocked. I’ve never been more inspired or motivated by a performance in my life. After that show, I had a chance to meet the band. Their love for the craft of music is extraordinary. Everything they do is so well thought out, so lovingly put together, so perfect. In addition to all of that, they have educated me on the technical aspects of music, challenged me to listen to songs on a deeper level, to reconsider art, and all of that has ultimately pushed me to be be a better writer (whether they know it or not, they have helped to spur this). Thanks, Hounds.

That is it. I’m spent. What a mess. But my mess. That was a lot harder than I thought it would be… Remind me of this the next time I try to make a “life post,” okay?