A little over a year ago, I took a chance on a new band. Drove to see them, actually, after only hearing one song recorded live. Trip well worth it – Son of a Bad Man (at the time called Shawn Fisher & the Jukebox Gypsies) rocked my socks off that night, and I’ve been a giant fan ever since.
I’ve seen them a handful of time lives since last February, and the guys have impressed me every time – musically and as people. They even let me share an unreleased song of theirs on my latest Krissie Mix.
So when they sent out a note recently saying they’d started a Kickstarter Project to help fund their new album, I was in…hook, line and sinker. There are a million bands and artists asking for fans dollars these days. Being a musician is not a financially easy road for most – it’s a pursuit of a passion for the majority. That, in my mind, makes it even more worth supporting. Chasing what you love is always admirable.
As a thank you to fans for their donations to the project, the boys recorded a video of them covering of Adele’s “Rolling in the Deep.” Adele’s version is amazing and simply can’t be outdone…but damned if the Son of a Bad Man boys don’t give it a darn good try. I love it when a band can take a song that’s not theirs, hold true to the integrity of the song and still make it sound uniquely their own!
Get to know this band. Spread this video around. Buy their music. If you’ve got an extra $5 or $10 bucks and want to feel like you’re contributing to someone’s dream, drop a dime on their new record fund. And for goodness sake, go see them live so you develop your own Son of a Bad Man crush!
I should be sleeping. I’ve worked a maddening number of hours in the past week. Today was a 16 hour day. Tomorrow is likely to be the same. I’m exhausted.
No hope needed: this record is delicious.
Instead of getting much needed beauty sleep, and probably risking oversleeping on an important day, I’m up listening to The Trews new album, Hope and Ruin.
Holy sh*t. It’s awesomesauce. I’m only one run through it, so I can’t give a proper review, but I can tell you right now, this album is going to be in rotation for awhile. It’s that good. Stand outs tracks so far for me: “Stay With Me,” “One By One,” “I’ll Find Someone Who Will” and “You Gotta Let Me In.” Wow.
Reading Bob Lefsetz sometimes drives me nuts. The man completely gets the music industry, but he doesn’t do enough to promote what he’s preaching. He talks forever about how fan interaction has to be a part of the new music experience…but he never gives examples of how it should be done. So, I’m going to.
Last night, one of my favorite up and coming North Carolina bands, The Enemy Lovers, was the opener in a four-band local music show at Amos’ Southend. Amos’ is one of Charlotte’s largest music venues and one of the things I love most about it is that John, the owner, gives local bands a chance, whether it be in local showcases like this or by putting a local band in an opening slot for a national act. Come to think of it, that’s actually how I first heard The Enemy Lovers, because they opened for Pete Yorn at Amos’ a few years ago.
Anyway, Charlotte is not known for large crowds at local shows. I’d only ever heard one other band on the bill, so I went with the expectation of it being a pretty slow show. Umm…wrong.
When I arrived for an early start at 7:15, there was a line halfway down the block outside of Amos’. All under 21s. But, I was impressed. One of these bands did their promo homework, I thought.
As I was standing at the merch table to help out the band I came to see, it became plainly evident who the crowd was there to see – a band called Jonas Sees in Color from Greensboro. I’ve never heard of them, and I didn’t stick around to see them play, but that didn’t matter. I didn’t need to see them play.
The lead singer, Ryan, was standing at the merch booth while the other bands were playing. And this kid knew EVERYONE who walked up to the table to talk to him; if he didn’t know their name, he did by the end of the conversation. He joked with them, signed merch, hugged them, had in-depth talks with them about their lives. Seriously, there must have been three dozen people that came up during the hour and a half time I was there, and he knew them all. And that kind of interaction reaps rewards in dollars. All the kids seemed to have the CD already, but they were buying t-shirts like you wouldn’t believe. Like little badges. “I already have that one, but I don’t have this one.”
From experience, I can tell you that lead singers of bands are often cocky and find the “mingling with the masses” to be below their station. Headlining bands usually sit in green rooms until it’s their time to play. But that model is dead. This is the new model. Be out there, with your fans, connecting, and making the magic happen.
Ryan left the table a few times to take phone calls or whatever, and as he made his way back to the table, I watched him wind his way through the room and stop along the way to talk to fans. The kid is a pro. What’s more is that he seemed genuinely happy to see every single fan he spoke with. And I don’t know the other members of the band, but I would be willing to bet that the rest of them were out working that room, too.
He even included me. He introduced himself and asked me about The Enemy Lovers. It was like it was his mission to make a friend out of everyone in that room…because he obviously gets it. That in today’s music world, you must connect with your fans on a personal level. Social media has given fans the inside track into their favorite musicians’ lives; the fact of the matter is that whether you like it or not, fans think they’ve earned the right to get close to you. And if you don’t give them what they want, you’re an elitist. They’ll stop listening to you and listen to a band that makes them feel special. Ryan made that crowd feel special even before Jonas Sees in Color took the stage.
So where’s the “proof?” Bob Lefsetz would ask. So what, the kids were good at connecting with people. Well, if proof is in attendance and dollars, here’s your proof: Saw the door gal later in the evening and asked her how many were at the show. She guessed about 400. In Charlotte, on a Saturday, for a bunch of non-radio play, non-indie hype bands, that’s seriously impressive.
I may not have stayed to see them play because I had somewhere else to be, but this morning, one of the first things I did when I woke up was to listen to their music online. Because I wanted to see what all the kids were hyping about. And it’s pretty darn good.
Will I go see them next time they are in town? You bet.
Beautiful folk music from Germany (sung in English)
As mentioned in the Balcony TV post last week, I fell in love with the lilting sounds of Mighty Oaks, a band from Berlin, Germany with roots in the U.S., while surfing my newest favorite YouTube channel.
The timing was fortuitous, as just this weekend, the band released their first EP on Bandcamp. It is lovely in its simplicity. A delicate, folky medley of strings (guitar, mandolin, banjo, violin – or maybe cello?), light percussion, gorgeous harmonies and vocals, and terrific writing (with some humor – “You were beautiful despite your big old ears”). And for only 4 Euros ($5.67 U.S. dollars), this little gem can be yours. And don’t worry, PayPal does the conversion automatically.
Wish I knew more about the band to tell you, but information is scarce on their websites. I can tell you that the lead singer, Ian Hooper, is from the Pacific Northwest, and that the strings guru is Claudio Donzelli – but I don’t know the percussionist’s name. But, I don’t need information to know that this trio is amazingly talented.
I am in love. I have seriously played it 20 times this weekend, if not more. I will give you a money back guarantee on this one. If you don’t love it, I’ll buy you a beer at The Gin Mill.
Those who know me know I have a thing for Canadian hotties. Really. (Yes, Shelia Taylor, this includes a few hockey players.)
I also have a thing for Canadian rockers. One set of them, in particular. The Trews. (Thank you, Will Hoge, for the gift of introducing me to these guys!) It’s like some Canadian mother gave birth to a southern rock band. They’re incredible – guitar heavy rock n’ roll at it’s finest. And no one sounds like Colin. I could listen to him sing all day. If you don’t know this band, just go pick up a track or two to see why you should own all their records. I recommend “Makin’ Sunshine” or “Poor Ol’ Broken Hearted Me” from their album Den of Thieves, or “Gun Control” and ” Ocean’s End” from No Time for Later. Or, if you prefer acoustic, you can get some of those same tracks and a killer song called “Sing Your Heart Out” from their Acoustic Friends & Total Strangers record. They don’t often tour in the U.S., and even less in the Southeastern U.S., so it’s somehow miraculous that I’ve had the opportunity to see them live…but I have, once, and they do not disappoint.
Anyway, news of their new record, Hope & Ruin, has been all over their Twitter lately, and while I don’t know for sure if it will be out in the U.S. on this date, it’s slated for release on April 12th. You can already get the single in Canada, but not yet in the U.S., so if some lovely Canuck wants to take pity on a poor American girl and send it to me, I’ll gladly send you the $1.08 or whatever it costs in Canada to buy a single on iTunes. I digress… I’m just really excited about this record. Been listening to their track-by-track video discussions on YouTube and everything sounds SO good.
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